Illustration: Stipan Tadić, 'Super Andrija', 2018
aqb Volunteering
Volunteering period will be from March until May of 2022, to help at the upcoming exhibition “Are you sure you want to leave?”, a selection of the OSTRALE Biennale "Breathturn".
APPLICATION
Deadline: February 27, midnight
OPTIONAL TASKS
We would like volunteers to help throughout the exhibition minimum once a week for 5 hours. Volunteering periods are:
• Exhibition installation, preparation between March 1 - 18
• Art mediation, exhibition guarding between March 19 - May 22
REQUIREMENTS
• Conversational level of Hungarian and English
• Having personal interest in cultural and art related projects
COMPENSATION
• We can provide you with the signing of your school / university documents (if required), along with inviting you to gain a basic insight of the content, preparation and outcome of a Budapest-based international contemporary art exhibition.
ABOUT US
Being an independent cultural institution and a centre of contemporary arts, art quarter budapest hosts a wide diversity of programs. The building complex consists of a broad collective of in-house visual and performance artists and gives home to creative industry companies also. Aqb curates local on-site exhibitions and hosts a residency program for various international creators.
Catrine Val
Born in Cologne/Germany, Val started out her career in Vienna/Austria working in the field of advertising, as a commercial artist. Feeling unfulfilled in this profession, Val fled to the arts, beginning the course of studies at the Art Academy in Kassel/Germany. She eagerly perused her studies there. Upon successful completion of her BA, Val attended post-graduate studies at the Kunsthochschule für Medien in Cologne. Graduating from there, she worked for 6 years as an assistant lecturer to Bjørn Melhus at the Art Academy in Kassel, in the field of virtual reality, where she further developed her artistic position.
"I am very interested in science and pseudo-science, in access to information, in how art is created, so I use my personal "philosophical toys" in an attempt to answer these questions. Part of my interest is pure nostalgia for the past wonders and the circumstances, especially the 19th century. My inspiration is characterized by complexity and internal openness. I try to make my work with elegance and humour and courage to be and think differently. Exploring these stylistic attribution in everyday life without over intellectualising them, instead treating it as a playground without any boundaries. Authentic, fast-thinking reflection of one's life."
"I try to realize my work with "poetic irony and refinement". In this sense the inspiration can be understood as ongoing, never ending choreography, of motion, gesture, light, the rhythm, the taste, text and the peculiar attitude to political challenges. I guess it is a daily departure. However, convincing formal solutions, need their own development. These contain a lot more discipline than it would appear on the surface level. Mechanisms and strategies of inspiration are always connected with the cultural history. I integrate the elements of popular culture and everyday life as vehicles for my work."
