Illustration: Stipan Tadić, 'Super Andrija', 2018

aqb Volunteering
Volunteering period will be from March until May of 2022, to help at the upcoming exhibition “Are you sure you want to leave?”, a selection of the OSTRALE Biennale "Breathturn".
APPLICATION
Deadline: February 27, midnight
OPTIONAL TASKS
We would like volunteers to help throughout the exhibition minimum once a week for 5 hours. Volunteering periods are:
• Exhibition installation, preparation between March 1 - 18
• Art mediation, exhibition guarding between March 19 - May 22
REQUIREMENTS
• Conversational level of Hungarian and English
• Having personal interest in cultural and art related projects
COMPENSATION
• We can provide you with the signing of your school / university documents (if required), along with inviting you to gain a basic insight of the content, preparation and outcome of a Budapest-based international contemporary art exhibition.
ABOUT US
Being an independent cultural institution and a centre of contemporary arts, art quarter budapest hosts a wide diversity of programs. The building complex consists of a broad collective of in-house visual and performance artists and gives home to creative industry companies also. Aqb curates local on-site exhibitions and hosts a residency program for various international creators.
Dora Tomic
The understanding of an entire process that takes place in a structure is conditioned by the focus on the overview of interconnections and interactions between individual elements, as well as by focusing on those elements, and then by constant re-implementation of the process of (re)structuring. In doing so, alone the words “understanding” or “notion” refer to the process of coming to one thing through another, as well as to the processing or observation of many aspects using several senses simultaneously.
It follows that the cause and effect of dynamically complex situations in time and space are marked by the interdependent elements that they consist of. Therefore, a complete understanding of being and existence in space cannot be reduced to a linear static display.
What is therefore visible are not representations of objects, but representations of a presence of invisible simultaneous processes that undoubtedly influence the development and movement of subjects. But what conditions the (re)structuring? In what correlation are these simultaneous processes that surround us?
