I mainly focus on the construction and politics of natural sciences, while being informed by a conviction that art's social and sensual dimensions are not a zero sum game. Thus my activities range from tackling craftsmanship and materialities through works based on archival research to projects focusing on socio-political issues – from re-interpreting the techniques of cow appendix membranes once used in Zeppelins through re-evaluating invasive species with participants outside the artworld to a long-running investigation into Hungary’s marine imaginations.

 

Selected exhibitions: How To Be Together, Art Encounters 2021 (Timișoara), Overview effect, MSUB (Belgrade), Invisible Spectra, Pannonhalma Archabbey (Pannonhalma), Web of Wet, Trafó Gallery (Budapest), Flashforward, Kisterem (Budapest, solo), Conditio inhumana, Hungarian National Gallery (Budapest), Ruminatio, SZIKM (Székesfehérvár, solo),  Global Villager Instruments, OFF-Biennale 2 (Budapest), Grain of Salt – Eye-rhymes os Sealessness, SKC (Rijeka), #Bartók, Ludwig Museum (Budapest); awards: Smohay Prize and the Klára Herczeg Prize; residencies: Vienna, Austria (Q21, MuseumsQuartier), Petőmihályfa, Hungary (Krinzinger Projekte), Brno, Czech Republic, (The House of Arts) St. Helier, Jersey (The Morning Boat), Rijeka, Croatia (Kamov), Bratislava, Slovakia (Reaktor), Salzburg, Austria (Landesatelier im Künstlerhaus), Mooste, Estonia (MoKS).