Illustration: Stipan Tadić, 'Super Andrija', 2018

aqb Volunteering
Volunteering period will be from March until May of 2022, to help at the upcoming exhibition “Are you sure you want to leave?”, a selection of the OSTRALE Biennale "Breathturn".
APPLICATION
Deadline: February 27, midnight
OPTIONAL TASKS
We would like volunteers to help throughout the exhibition minimum once a week for 5 hours. Volunteering periods are:
• Exhibition installation, preparation between March 1 - 18
• Art mediation, exhibition guarding between March 19 - May 22
REQUIREMENTS
• Conversational level of Hungarian and English
• Having personal interest in cultural and art related projects
COMPENSATION
• We can provide you with the signing of your school / university documents (if required), along with inviting you to gain a basic insight of the content, preparation and outcome of a Budapest-based international contemporary art exhibition.
ABOUT US
Being an independent cultural institution and a centre of contemporary arts, art quarter budapest hosts a wide diversity of programs. The building complex consists of a broad collective of in-house visual and performance artists and gives home to creative industry companies also. Aqb curates local on-site exhibitions and hosts a residency program for various international creators.
Sybrig Dokter
Sybrig Dokter is a choreographer and performer in the field of contemporary dance, visual arts and contemporary theatre. She has her base in the physical, choreographed, body and her works manifest in a variety of materials. Her performance work and teaching have taken her amongst others to the Baltic countries, Austria, Ukraine, Moldova, Serbia, France, Bulgaria, Russia, Scandinavia and Great Britain. With Benno Voorham she founded LAVA-Dansproduktion in 1997.
I am interested in how physical practices create different bodies; human bodies, bodies of interest, bodies that become instrumental in creating ways of communicating, contexts to perform in, ways of existing together. The projects that I initiate are important to me in the entirety of their process and the making public by way of a performance or installation is only one of the ways they exist. In the projects and works created for groups of performers, I focus on the processes of doing things together; in collaborative processes those processes become part of the subject of the work. My practice creates different bodies that are subject and object of the decision making process embedded in my choreographic work.


